NiFe

News : 06 2026

A.P.E. Gallery

ARC Resident

I’m honored to be invited to participate in the ninth season of ARC (Activate, Research, Create), A.P.E. curated summer residency program at the Main St. Gallery in Northampton, Massachusetts.

This June 1-7, 2026, I’ll be presenting Bodies of Land alongside a group of thoughtful and expansive projects exploring durational practice, relationality, and public engagement. I’m deeply excited to develop the work within a program committed to experimentation, dialogue, and contemporary inquiry.

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News : 08 2025

Artmaking As Embodied Enquiry

Entering The F/old

Very honored to have been invited to contribute Chapter 14; “The Compulsion of Presence” to Artmaking As Embodied Enquiry by Susan Sentler and Glenna Batson.

A deep bow to Glenna and Susan and this incredible practice. For centuries, folds/folding has captured the world’s imagination. Folds readily appear in revivals of the ancient craft of origami,the simplest acts of pedestrian life, in art, design, architecture, performing arts, linguistics, the philosophical turnings of the mind, and last, but not the least, in the many ingenious computations of (bio)engineering and technology. What awaits our understanding is how deeply the fold roots into embodiment, into our very impulse to create.

Intellect Books ISBN 9781835952726

Purchase Here

News : 08 2024

Boston Art Review

I’m deeply honored to have Leaves Some Kind of Residue, the performance showcase I produced and performed in at Vivid Oblivion, reviewed by Boston Art Review. The article reflects on the evening’s raw and intimate performances exploring vulnerability, embodiment, and the layered realities of femme experience within contemporary culture.

As someone who has spent years building spaces for contemporary performance and interdisciplinary exchange, it feels profoundly meaningful to witness the work, and the spirit of the space itself, enter broader critical conversation. I’m grateful to Boston Art Review for engaging the performances with such attentiveness and care, and for helping document a fleeting moment of collective presence and risk.

Read The Full Article

News : 08 2019

Lull
Magazine

It was an honor to contribute to the inaugural issue of Lull magazine, Fate, a publication exploring signs, belief, intuition, tarot, and the mysteries that shape our lives and creative paths.

For the issue, I was both the model and illustrator for The Empress, a visual interpretation of the tarot archetype embodying sensuality, divine feminine power, grace, beauty, nurture, and abundance. Gentle yet formidable, The Empress invites us to lead from the heart, trust our intuition, and embrace the fullness of our creative force.

Created alongside an inspiring team of women, the project remains a celebration of queer feminine power, collective creativity, and the enduring reminder that some of the most meaningful paths reveal themselves through feeling rather than certainty.

inthelull.com /// @inthelull /// Creative Direction & Founder @monicagreenwald /// Photo @heathermgrath /// MUA @aliciadane

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a rhythm of living, the quiet, still, cavernous places, known to each of us.